April - Poem 14

The Bridge  contd/ Maureen Alsop

Where are the illuminate horses? The young men in hunting costumes?
Shasta daisies collapse into bells under the sun’s tripod gaze.
An Idle lone pine lurches against a sunlit cliff face, a deep chasm where
                                                       Monastery monks
guide the lost ones in their journey 

 

But what was it, the sacred travel, the fractious nature

 

Delphiniums rinsed of insects                the lighthouse turning its need 
The old vision? A memory of darkness—I'm thin & clear. Birds stitch
through waves whilst my dray overflows this abundance & peace




A Housefly Recalls Emily Dickinson  / Bob Bradshaw

  At first Miss Emily  
  would pass by me silently
  in her simple, pique 
  white dress. 

  Still, I had the sense
  our lives would always
  be linked 
  in ways unpredictable.

  I wasn’t like  
  the green bottle flies 
  or the bluebottles,
  their iridescence

  like a dragonfly’s wings 
  in a sunlit mist. 
  I wore a laborer’s
  dull gray clothes

  

  and moved
from room to room
like a domestic servant
  humming Irish tunes.


  Soon I could just whisper,  
  Pst! Pst!  
  and Emily would read me
  her latest poem.
   
  We were both introverts,
  unlike "perty" Vinnie
  who loved
crowds,


  especially when Father 
  would throw
  yet another college
  commencement party.

  All those young men, Em!
  Their small talk 
  diminished them  
  in your eyes! 


  I didn’t impress anyone
  with grandiose plans 
  and yet Em loved me -  
  she swore it -


  more than Vinnie
  loved either flattery
  --or her cats!
  "Are we so different?" Em asked.

 
"Me a poet, you a fly?
  Aren’t we a pair ?
  I’m a Nobody! 
  Aren’t you too?


  If only we could hitch
  Our carriage
  To Immortality,
And ride out of Amherst
  Together!"




Eating / Stan Galloway

Gluttonous death / will make a meal of me.  --D.S. Martin* 

We all die from something.
Eating is as good a way to go as any other.
I’m not too proud to fall asleep conjuring smorgasbords.
But I refuse to seek some Dahmer wannabe.
I’ll eat my way out on my own terms. 


Martin, D.S. “My Final Credits.” The Role of the Moon. Iron Pen/Paraclete Press, 2025. 34-35.




Channel / Ava Hu

*

Pouring from the lips
of a god,

soil interior,
broad strait,

water to water,
your trace 

in bolts 
of lavender,

are we floating 
restless, reaching

for one another
in a hurricane

of stings and breath?
I see where they light fires

on the river 
for the dead.

A looking glass,
ritual object,

mirror, transmission, 
you.




Mother { } Dowager   / Sergiy Pustogarov

Requiem of the AIDS Crisis


bleached    hair
         on 
the sidewalk
party                    busses
cheering 
         squeals
clapping 
dark rooms
silent                                      death

 

Mother 
{                }

 

screaming            cries
lonely 
         beds 
kisses 
forgotten 
newer                                     fruit 
trailing                ever 
         behind

 

{                }

 

barren                  funeral 
empty                            coffin
ashes          
         burned
and 
         burned
         burned 
yet again
maybe                 now
safe 
         to handle
with            twenty 
         layers of latex

 

{                }
Dowager

 

kinky
hands                   touching
         ass
warped 
into gray particles 
still             not enough
purify 
         more
never                   holy enough

 

blissfull 

 

{          }
Mother

 

now                                        honored
         speeches
books
songs
musicals
nothing 
         for them
back then

 

now safe
and             careless
no     fear
of
silent 
death

 

         thank you

 

Mother 
{         } 
Dowager




Plum Vase with Cloud-and-Crane Motif (Goryeo dynasty, late 12th or early 13th century) / Daniel Avery Weiss

O, ye with the perfect neck,
swinging yourself as a thin rope
in gentle waves—flies


as black as eyes envy
the ginger likes of your
petty pace. Reinvigorate the


meanings in a cloud,
see to it that the clay watches
history slip into a humbling,
childlike
slumber.


perceive me like your surroundings / MK Zariel

a stranger downtown says she loves
my lesbian haircut, and i feel affirmed for two seconds
until she shouts out—“and your body, girlie”
and i thank her and i hurtle toward the void
Madison is a collection of lukewarm neon lights
and very cis opinions, nonprofits metastasizing
like invasive plants. everyone’s supportive

until you catch them on a bad day. i read a zine
in middle school claiming the butch lesbian body
is the only kind that can’t be commodified
under capitalism. how i wish that were true.
people can commodify anything
if you catch them in bad lighting on State Street

somehow both caffeinated and tired.
i try not to think about it. my gender is what
people see when they feel judgy. does that mean
my gender is high maintenance
and my pronouns are sit down / shut up?
my body is not a temple; it is a college campus

growing trashier by the day. it is a downtown
with one anarchist gathering and ten overpriced
restaurants for nobody. it was getting a little
too gentrified, then i transitioned. i go for a walk.
a stranger finds out what it’s like to judge thin air.

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April - Poem 15

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April - Poem 13