A landscape scene of a mountain range with rocky peaks in the background and grassy rolling hills in the foreground during sunrise or sunset.
Logo for Tupelo Press 30/30 Project

Welcome to the 30/30 Project, an extraordinary challenge and fundraiser for Tupelo Press, a nonprofit 501(c)(3) literary press. Each month, volunteer poets run the equivalent of a “poetry marathon,” writing 30 poems in 30 days, while the rest of us “sponsor” and encourage them every step of the way.


The volunteer poets for March are Kathleen Bednarek, Mymona Bibi, Amy Haworth, Susan Hankla, Christina McCleanhan, Elizabeth McGraw, and Alexis Wolfe.

If you’d like to volunteer for a 30/30 Project month, please fill out our application and warm up your pen!

Kirsten Miles Kirsten Miles

January - poem 2

Stitched Up  / Tess Adams

They closed me with catgut—
a surgeon’s neat crosshatch
where the world had split;
my body a torn thing
stitched back into use.

 

Sutures tugged and burned
rough twine pulled through silk.
Each knot a small salvation
each scar a line of text
I’d never planned to write.

 

They mended my belly
my bladder, my broken gate—
made me a patchwork of losses
that somehow held.

 

I trace the seams—
their raised relief, their quiet shine.
I wear them as testament—
not to what was lost
but to what was re-made.


Unwanted Winter  / Haley Bosse

Wooded midday. Snow nearly
Scarring light. Wondering at
Quick damp. Crackle 
Of the plastic sled. Electric blue
Window of your thighs. How 
A breath catches. Then
Scatters out behind you. Coats
The sharpened hill. How
Even now you fly. 


Mother Magick  / Jess Bowe

three ingredient pasta dinner
tastes like firesitting feels;
for this moment,
you are warm and tethered
to meaning. you are close
to each other and binded
by story and songs and the scent
of smoke prays its way into
every fiber stitched across
your body. you are blessed
by memory.

in every room a song,
in every crisis, you know
what it means to be safe
and you do not learn the word

Crisis or broken poor without;
you know what it means
to have music sung in your doorway
while your blankets
wrap around you like angels
and you say them by name
uriel michael raphael sandalphon

the oven cracked open down the hall
sends heat and you never ask
because you never suspect
your mother is cracking open;
all you hear is melody
painting photos on blank walls.

under the night, poetry is written
in an upstairs room, candle flames
dance their shadows
and your mother, alone,
is sobbing her thanks to the close-up
clouds of winter.

you won’t know the furniture
she’s moved, the stacks of clothing
in the garage, the grief she’s shaken
hands with at all hours. morning is a rising
thing and her well-trained gaze 

catches the shadow of a child
wrapped around her waist
glowing on the back wall of the kitchen,
coffee and bread in the air.

magick comes from nothing.
there’s no need for it
when the world always knocks
at your door.

in the empty night, with bare hands
and feet to kiss the cold of the ground
that’s where it strikes,
each spell
and intention,
each noticed wonder unobstructed
by Things; what can you do
with the Invisible

that opens your eyes
to tiny white faeries
grazing the lips of pink
peonies— that pauses your steps
in the driveway
the sun spilling gold across
your rooftop,
the rain
calling out to light
splitting in spectrum

speaking
‘blessed are the mothers’
who make peace in their walls
with ghosts and crumbs
and still know god
at the end of the night
at the bridge of morning
and still wrap arms around
the world with room in their pockets

and somehow make
fireworthy
three ingredient pasta dinners. 


Haibun: Second draft for a requiem / Joanna Lee

siempre quiero estar contento
triste no valgo la pena

                                    --Estopa, “Te Vi Te Vi,” Destrangis

 

You were conceived in a season of darkness, of regret and little hope for a brighter anything. Born sour, plucked by hand and secreted into a clear plastic cup during January workdays that began before dawn and ended after night had made its daily return. Washed and paper-towel-dried, you were set with a half dozen brothers into special dirt and a small peat pot, anxiously perched in the sill of the most southern-facing window. You, miracle of mid-winter: those first two baby-fine leaves like a second shot at love. And like love, you grew. At two inches you caught the light as the days lengthened; at four, you were given a pot of your own: clay of some desert earth shaped in promise. Paychecks were poured into your fast-drain soil, and you soaked up each successive summer on the front porch where daylight lingered longest. Come fall, you’d be carried icon-like to the back of the house, your own room lit with your own fluorescent lights, defying the shortness of the days. Soon, your leaves were as big as a hand, fragrant as tea. You grew thorns—thorns! Spring rolled into summer and your branches reached for the sky, their willowy lengths dividing, thickening, hardening into arabesques. But there came a turning point. Some plague, one overlong winter, and for the past eighteen months, you’ve been slowly dying. The leaves dropping soundless, you ceasing to look upward. Each day a slow shear. No more drinking of the light. No more green laughter. Like me, you will never bear fruit. It is the burden of one who has planted the seed to put it to rest at its failing. One midwinter evening I carry you from the house to let the night seep through all at once—leaf, stem, trunk, to the cradle of your roots.     

 

Eres de los que no vuelan
presidario del silencio frio,
frio que la sangre hiela


Placeholder   / Thomas Page

Most people understand how serious
it is when I say what you’re dealing with 
“Oh, I know a guy’s son,” or “a classmate,”
or whatever distant connection they have 
with what they think you’re going through. 
People always wanted to commiserate 
about what how it must be like to be you
or to deal with you or to deal with it. 
Secrets are like the foil over candies—
torn open rather easily by children;
savored in the mouth as it melts. 


Time Travel  / Sarah Paley

Memories have a gravitational pull
though I seem to become untethered
and find myself floating like a novice 
astronaut taking in the galaxy of my childhood –

the iron key
turning reluctantly
in the grandfather clock

      the slurp of the mud
      swallowing my red boots
      as my sister pulls me from above

      a fireball’s dye
      alarming my red
      tongue

      the smell of lilacs, pine needles,
gasoline, cut grass, the rotting trunk
I sat on for hours in the woods

These comets hurtle towards me or hang
like dumb dead stars insisting on existing.

What are we without them? What do goldfish remember?
Involuntary traveler, there is no cure for memory.



Lap Swimming in Costa Rica  / Amy Snodgrass

(after living here for 12 years)


Somehow I’m still surprised every year
when these December winds make waves,


shaking my early evening laps 
into a frenzy: unwelcome and hard.


Here these winds –warm and long–
mean Christmas. These winds make 
everyone around me glad with tidings.


But even after all this time, I long 
for the dry scent of snow coming, for
the pine wreaths, the toffee and the elves,
and I wonder when my mother will come.


The winds shake the crane cables:
abandoned, shameful, and smooth.
Arcs of half-painted steel above the pool
claw into what’s left of the sun.


I pause and I float, watching others 
on the deck gesticulate as they discuss 
the next stages of construction. I watch 
them wave and point in the direction 
of the winds, and smile 
their holiday smiles. 


To them, the winds are faith.


To me, the winds are dust-filled omens,
darkening my lane with whipping dry leaves—


I don’t know how I got here.

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Kirsten Miles Kirsten Miles

January - Poem 1

Bog Body, Also Known As  / Haley Bosse

Sulfurskin 
Softbone 
Loosebreath
Breakthrough
Bottlerocket
Bricabrac
Songshush
Winterwait
Weightpuddle
Properform
Chloroplast
Sugarcrust
Crumblebuttal 
Cornerstore
Gathergutter
Groanlift 
Pittersplatter
Bedmade 
Lornlace
Twistslumber
Covetcradle
Gonedaughter 
Twinface
Allrefrain


under pressure  / Jess Bowe

saturn moans with a storm
composed of a thousand 
flavors of misery. 

hydrogen gets a hug. 

we stand at the glass 
and cheer 
for what we haven’t survived,
what exists without us,
unflagged. 

she holds me between
thumb and index,
a honeyed marble,
all 5’6 of me,
every bucket of midnight 
grief, volcanic paradise 
joy spewing, flame-spattered 
across the blackened 
forever-night canvas;

every color witnessed,
every tuesday afternoon
down to the palm of a hand. 

isn’t it glorious, the way time turns 
inside-out the moment we become
fully occupied with atmosphere? 

every human story, a game of jacks 
on the ringed bedroom floor. 


Eschatological meditations while doing the dishes on New Years Eve  /
Joanna Lee

For some days now, the light
has grown—just a bit, as it does:

 

a few minutes’ sunshine
at the end of a long dark prayer.

 

And maybe that’s all we can ask
of the things for which we ask,

 

a brighter ending, or less clouded eyes
with which to see

 

even the smallest moments, like
watching the grease

 

from last night’s dinner
break its slick hold on the plate

 

when we apply a little Dawn,
a little elbow, the oil becoming

 

streak, then bubble, then sliding
into the oblivion of the sink’s drain.

 

A clearing away before beginning again.    
No, it ain’t quite the thing with feathers, this

 

clock tipping the first handful
of earth onto last year’s grave, it ain’t

 

dandelion wishes or confetti-on-crystal—yet,
dishes cool and drying on the rack,

 

we’ll pop that bargain store bottle
of bubbly just the same.   


Cop-Out / Thomas Page

I’ve seen it mentioned a lot on TV
to explain away an absent actor 
or pencil in a cause of departure. 
“This kind of tragic thing happens many
times a day,” they say, “just make sure to see
your doc, just to check” patting the bereaved 
tissues all over the floor. They might play 
Coldplay or Snow Patrol or even Creed
while the heavy, steel double doors close out 
this season’s big twist— a fan favorite killed 
off screen— syncopated with the baseline,
Hollywood white teeth enrobed by cherry gums 
pantomiming grief, collapsed on the floor
liquid tears rolling down in a straight line: 
I only remember how quiet it was when they told me. 

BREUGHEL  / Sarah Paley

Across the street on the sixth-floor missing windowpanes are billowing plastic
on this windy, cold day. A floor below a Puerto Rican flag serves as a curtain.

An army of delivery men congregate outside the Hub. They talk, argue, whisper,
shout, sing in Wolof, French, Fula, Mandinka, Jola, Soninke, Arabic

They wear their unofficial uniform of black hoody, thick canvas pants,
and helmets. A sea of orange and green bicycles extends around the corner.

Prayer mats are snapped open and placed on the sidewalk facing Mecca.
Their comrades huddle and picnic under scaffolding eating mountains of rice

bought from the Halal truck parked mid-block. Cooing pigeons, their chests bulging,
heads thrusting, pace like generals inspecting the troops as they wait

for grains to drop. At the bakery, young couples order lattes and Scandinavian pastries.
They try to navigate their heavily insulated children

while pushing stroller tanks. It’s recess time at the Eastern New York Community School
and a gaggle of adolescent girls, armed crossed, heads askew,

try to convey their utter disinterest to the middle-aged coach who holds the basketball.
On the other side of the playground boys attempt to look menacing

but can’t resist busting out to chase one another in circles. Two customers sit in the window
of The Barber’s Blueprint. A black and white pit bull in an argyle sweater pulls

his master towards a tree. A firetruck, red lights flashing, is pulled up outside Andrea’s
Pizza Oven. A firefighter emerges with a slice

And yes, overhead, that’s Icarus falling and flailing through the blue sky.


Late December, 2025  / Amy Snodgrass

the sun took so long to rise 
we thought it wouldn’t,
my daughter and I  
–it took so long


–the stretch of Illinois highway spilling 
in front of us to the horizon– 


we felt apocalyptic:  the world 
seemed intent on stopping, ready-ing 
          itself to re-start, defiant


we laughed, used the words freaky 
and eerie, doomsday, foreboding


a great moment of connection and we
will relish it in reverse but still
I longed for lorazepam and still
she slide-glanced on repeat to the east 


we came to the brink
I felt my panic tide up to crest
she googled sunrise time today


the white lines barrelled us along our way


and eventually, yes, the darkness heaved into dullness 
and the gray glowed around the edges


my daughter relaxed into relief, laughing 


I myself tightened (and now here’s|
the secret I’m telling only you, so sshhhh!)
I tightened into what felt like–
it couldn’t be, though–     disappointment.


I mean, the day 
rose, the drive ended, and
everything, even after all that, everything 

was just fine

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