Welcome to the 30/30 Project, an extraordinary challenge and fundraiser for Tupelo Press, a nonprofit 501(c)(3) literary press. Each month, volunteer poets run the equivalent of a “poetry marathon,” writing 30 poems in 30 days, while the rest of us “sponsor” and encourage them every step of the way.
The volunteer poets for March are Kathleen Bednarek, Mymona Bibi, Amy Haworth, Susan Hankla, Christina McCleanhan, Elizabeth McGraw, and Alexis Wolfe.
If you’d like to volunteer for a 30/30 Project month, please fill out our application and warm up your pen!
January - poem 2
Stitched Up / Tess Adams
They closed me with catgut—
a surgeon’s neat crosshatch
where the world had split;
my body a torn thing
stitched back into use.
Sutures tugged and burned
rough twine pulled through silk.
Each knot a small salvation
each scar a line of text
I’d never planned to write.
They mended my belly
my bladder, my broken gate—
made me a patchwork of losses
that somehow held.
I trace the seams—
their raised relief, their quiet shine.
I wear them as testament—
not to what was lost
but to what was re-made.
Unwanted Winter / Haley Bosse
Wooded midday. Snow nearly
Scarring light. Wondering at
Quick damp. Crackle
Of the plastic sled. Electric blue
Window of your thighs. How
A breath catches. Then
Scatters out behind you. Coats
The sharpened hill. How
Even now you fly.
Mother Magick / Jess Bowe
three ingredient pasta dinner
tastes like firesitting feels;
for this moment,
you are warm and tethered
to meaning. you are close
to each other and binded
by story and songs and the scent
of smoke prays its way into
every fiber stitched across
your body. you are blessed
by memory.
in every room a song,
in every crisis, you know
what it means to be safe
and you do not learn the word
Crisis or broken poor without;
you know what it means
to have music sung in your doorway
while your blankets
wrap around you like angels
and you say them by name
uriel michael raphael sandalphon
the oven cracked open down the hall
sends heat and you never ask
because you never suspect
your mother is cracking open;
all you hear is melody
painting photos on blank walls.
under the night, poetry is written
in an upstairs room, candle flames
dance their shadows
and your mother, alone,
is sobbing her thanks to the close-up
clouds of winter.
you won’t know the furniture
she’s moved, the stacks of clothing
in the garage, the grief she’s shaken
hands with at all hours. morning is a rising
thing and her well-trained gaze
catches the shadow of a child
wrapped around her waist
glowing on the back wall of the kitchen,
coffee and bread in the air.
magick comes from nothing.
there’s no need for it
when the world always knocks
at your door.
in the empty night, with bare hands
and feet to kiss the cold of the ground
that’s where it strikes,
each spell
and intention,
each noticed wonder unobstructed
by Things; what can you do
with the Invisible
that opens your eyes
to tiny white faeries
grazing the lips of pink
peonies— that pauses your steps
in the driveway
the sun spilling gold across
your rooftop,
the rain
calling out to light
splitting in spectrum
speaking
‘blessed are the mothers’
who make peace in their walls
with ghosts and crumbs
and still know god
at the end of the night
at the bridge of morning
and still wrap arms around
the world with room in their pockets
and somehow make
fireworthy
three ingredient pasta dinners.
Haibun: Second draft for a requiem / Joanna Lee
siempre quiero estar contento
triste no valgo la pena
--Estopa, “Te Vi Te Vi,” Destrangis
You were conceived in a season of darkness, of regret and little hope for a brighter anything. Born sour, plucked by hand and secreted into a clear plastic cup during January workdays that began before dawn and ended after night had made its daily return. Washed and paper-towel-dried, you were set with a half dozen brothers into special dirt and a small peat pot, anxiously perched in the sill of the most southern-facing window. You, miracle of mid-winter: those first two baby-fine leaves like a second shot at love. And like love, you grew. At two inches you caught the light as the days lengthened; at four, you were given a pot of your own: clay of some desert earth shaped in promise. Paychecks were poured into your fast-drain soil, and you soaked up each successive summer on the front porch where daylight lingered longest. Come fall, you’d be carried icon-like to the back of the house, your own room lit with your own fluorescent lights, defying the shortness of the days. Soon, your leaves were as big as a hand, fragrant as tea. You grew thorns—thorns! Spring rolled into summer and your branches reached for the sky, their willowy lengths dividing, thickening, hardening into arabesques. But there came a turning point. Some plague, one overlong winter, and for the past eighteen months, you’ve been slowly dying. The leaves dropping soundless, you ceasing to look upward. Each day a slow shear. No more drinking of the light. No more green laughter. Like me, you will never bear fruit. It is the burden of one who has planted the seed to put it to rest at its failing. One midwinter evening I carry you from the house to let the night seep through all at once—leaf, stem, trunk, to the cradle of your roots.
Eres de los que no vuelan
presidario del silencio frio,
frio que la sangre hiela
Placeholder / Thomas Page
Most people understand how serious
it is when I say what you’re dealing with
“Oh, I know a guy’s son,” or “a classmate,”
or whatever distant connection they have
with what they think you’re going through.
People always wanted to commiserate
about what how it must be like to be you
or to deal with you or to deal with it.
Secrets are like the foil over candies—
torn open rather easily by children;
savored in the mouth as it melts.
Time Travel / Sarah Paley
Memories have a gravitational pull
though I seem to become untethered
and find myself floating like a novice
astronaut taking in the galaxy of my childhood –
the iron key
turning reluctantly
in the grandfather clock
the slurp of the mud
swallowing my red boots
as my sister pulls me from above
a fireball’s dye
alarming my red
tongue
the smell of lilacs, pine needles,
gasoline, cut grass, the rotting trunk
I sat on for hours in the woods
These comets hurtle towards me or hang
like dumb dead stars insisting on existing.
What are we without them? What do goldfish remember?
Involuntary traveler, there is no cure for memory.
Lap Swimming in Costa Rica / Amy Snodgrass
(after living here for 12 years)
Somehow I’m still surprised every year
when these December winds make waves,
shaking my early evening laps
into a frenzy: unwelcome and hard.
Here these winds –warm and long–
mean Christmas. These winds make
everyone around me glad with tidings.
But even after all this time, I long
for the dry scent of snow coming, for
the pine wreaths, the toffee and the elves,
and I wonder when my mother will come.
The winds shake the crane cables:
abandoned, shameful, and smooth.
Arcs of half-painted steel above the pool
claw into what’s left of the sun.
I pause and I float, watching others
on the deck gesticulate as they discuss
the next stages of construction. I watch
them wave and point in the direction
of the winds, and smile
their holiday smiles.
To them, the winds are faith.
To me, the winds are dust-filled omens,
darkening my lane with whipping dry leaves—
I don’t know how I got here.
January - Poem 1
Bog Body, Also Known As / Haley Bosse
Sulfurskin
Softbone
Loosebreath
Breakthrough
Bottlerocket
Bricabrac
Songshush
Winterwait
Weightpuddle
Properform
Chloroplast
Sugarcrust
Crumblebuttal
Cornerstore
Gathergutter
Groanlift
Pittersplatter
Bedmade
Lornlace
Twistslumber
Covetcradle
Gonedaughter
Twinface
Allrefrain
under pressure / Jess Bowe
saturn moans with a storm
composed of a thousand
flavors of misery.
hydrogen gets a hug.
we stand at the glass
and cheer
for what we haven’t survived,
what exists without us,
unflagged.
she holds me between
thumb and index,
a honeyed marble,
all 5’6 of me,
every bucket of midnight
grief, volcanic paradise
joy spewing, flame-spattered
across the blackened
forever-night canvas;
every color witnessed,
every tuesday afternoon
down to the palm of a hand.
isn’t it glorious, the way time turns
inside-out the moment we become
fully occupied with atmosphere?
every human story, a game of jacks
on the ringed bedroom floor.
Eschatological meditations while doing the dishes on New Years Eve / Joanna Lee
For some days now, the light
has grown—just a bit, as it does:
a few minutes’ sunshine
at the end of a long dark prayer.
And maybe that’s all we can ask
of the things for which we ask,
a brighter ending, or less clouded eyes
with which to see
even the smallest moments, like
watching the grease
from last night’s dinner
break its slick hold on the plate
when we apply a little Dawn,
a little elbow, the oil becoming
streak, then bubble, then sliding
into the oblivion of the sink’s drain.
A clearing away before beginning again.
No, it ain’t quite the thing with feathers, this
clock tipping the first handful
of earth onto last year’s grave, it ain’t
dandelion wishes or confetti-on-crystal—yet,
dishes cool and drying on the rack,
we’ll pop that bargain store bottle
of bubbly just the same.
Cop-Out / Thomas Page
I’ve seen it mentioned a lot on TV
to explain away an absent actor
or pencil in a cause of departure.
“This kind of tragic thing happens many
times a day,” they say, “just make sure to see
your doc, just to check” patting the bereaved
tissues all over the floor. They might play
Coldplay or Snow Patrol or even Creed
while the heavy, steel double doors close out
this season’s big twist— a fan favorite killed
off screen— syncopated with the baseline,
Hollywood white teeth enrobed by cherry gums
pantomiming grief, collapsed on the floor
liquid tears rolling down in a straight line:
I only remember how quiet it was when they told me.
BREUGHEL / Sarah Paley
Across the street on the sixth-floor missing windowpanes are billowing plastic
on this windy, cold day. A floor below a Puerto Rican flag serves as a curtain.
An army of delivery men congregate outside the Hub. They talk, argue, whisper,
shout, sing in Wolof, French, Fula, Mandinka, Jola, Soninke, Arabic
They wear their unofficial uniform of black hoody, thick canvas pants,
and helmets. A sea of orange and green bicycles extends around the corner.
Prayer mats are snapped open and placed on the sidewalk facing Mecca.
Their comrades huddle and picnic under scaffolding eating mountains of rice
bought from the Halal truck parked mid-block. Cooing pigeons, their chests bulging,
heads thrusting, pace like generals inspecting the troops as they wait
for grains to drop. At the bakery, young couples order lattes and Scandinavian pastries.
They try to navigate their heavily insulated children
while pushing stroller tanks. It’s recess time at the Eastern New York Community School
and a gaggle of adolescent girls, armed crossed, heads askew,
try to convey their utter disinterest to the middle-aged coach who holds the basketball.
On the other side of the playground boys attempt to look menacing
but can’t resist busting out to chase one another in circles. Two customers sit in the window
of The Barber’s Blueprint. A black and white pit bull in an argyle sweater pulls
his master towards a tree. A firetruck, red lights flashing, is pulled up outside Andrea’s
Pizza Oven. A firefighter emerges with a slice
And yes, overhead, that’s Icarus falling and flailing through the blue sky.
Late December, 2025 / Amy Snodgrass
the sun took so long to rise
we thought it wouldn’t,
my daughter and I
–it took so long
–the stretch of Illinois highway spilling
in front of us to the horizon–
we felt apocalyptic: the world
seemed intent on stopping, ready-ing
itself to re-start, defiant
we laughed, used the words freaky
and eerie, doomsday, foreboding
a great moment of connection and we
will relish it in reverse but still
I longed for lorazepam and still
she slide-glanced on repeat to the east
we came to the brink
I felt my panic tide up to crest
she googled sunrise time today
the white lines barrelled us along our way
and eventually, yes, the darkness heaved into dullness
and the gray glowed around the edges
my daughter relaxed into relief, laughing
I myself tightened (and now here’s|
the secret I’m telling only you, so sshhhh!)
I tightened into what felt like–
it couldn’t be, though– disappointment.
I mean, the day
rose, the drive ended, and
everything, even after all that, everything
was just fine